Here’s the reblog of Alhambra Linocuts by Catherine Cronin, an artist whose work I enjoy. Her recent posts of drawings of the Alhambra, helped me finally post some photos from my trip to that amazing site last spring.
I have editioned my ‘Alhambra Arches’ linocut in three different colourways, five prints for each colour making a variable limited edition of 15.
Image size approx 20.5 x 25.5 cm
Paper size 24.5 x 31 cm
Now available to buy in my Etsy shop.
(© Catherine Cronin)
I’ve been thinking, for a while, of finally posting a few photos of the magnificent Alhambra in Granada Spain that we visited last spring. It seemed that winter would be a great time to see those images. It’s been unseasonably warm in Toronto off and on, but today is the perfect cold day to recall the warmth of Spain. I also received a nudge to finally post these photos from Catherine Cronin’s blog, Cat Among the Pigeons Press. She’s an artist whose work I love and who recently posted drawings of the Alhambra gardens. She’s also got some great linocuts of the Alhambra that I’ll reblog right after this post.
I’ve begun making a series of postcards. Here are the first two I’ve designed, back from the printer. These are combinations of two poems I’ve written superimposed on two of my linocuts. You can also see the postcards in my etsy shop.
I decided to give the series a name and hit upon naming them in honour of my beloved childhood dog–a beagle named Cedar.
While I was searching through my early prints for one of my first linocuts, I came across the print in this post that I made in the mid 1980s. (It’s not the print I was originally looking for.) The linocut here was an illustration for an article in the Canadian literary magazine Quill and Quire. Somewhere, I may have the actual page from the journal, but I haven’t located it yet. From what I recall, the article had to do with censorship and political repression. In that sense, it definitely fits with the mood of these times of political unrest to out and out war. Being born right after World War II and hearing many stories of it while growing up, the image also evokes shadows of the history of that war for me. The initials “SB” are from my birth name that I was still using at the time.
I’ve been working on several art projects as once. I’ll be completing the linocut from my last post. Meanwhile, I’ve taken some time to edit linocuts and poems for printing. When I get the physical postcards back from the printer, I’ll show them to you.
As I work and go about my days, part of me is always contemplating the climate of hatred in North America–the new president of the U.S., his withering executive orders, the recent murder of 6 muslim men at worship in Quebec City, Canada….
I’ve been thinking about hatred, which when left unexamined seems to me the curse of our species. Perhaps there are some people in the world who have never felt hatred, but I believe these would be in the great minority. Hatred, being a human emotion, is something any of us can feel.
I have found myself wishing to abolish hatred. However, when I’ve thought more closely about this, I realize that the greatest ill is not the hatred in our hearts. If we do the hard work of deeply looking at ourselves, we can develop the capacity to understand why we hate–what pain we have suffered that the hatred has arisen from–and not project this onto scapegoats. We have the capacity, then, to turn aside from violence of word and action. Instead, I see the greatest ill is when influential people stoke hatred and create scapegoats to gain power. This is what is most disturbing to witness at this time, both here in North America and overseas.
I didn’t know if I’d write about this on what is an art blog. Or tell you how fantastic the women’s march in Toronto on January 21st was. However, since I don’t work in a vacuum and since we are living in a critically important time in history, you have this post from me. The photo I’ve chosen is an antidote to hatred that I took several years ago while visiting friends in Saskatchewan.
I was ill over the past while and only got to printing a first proof of the Sisters of Mercy block print this past weekend. If you’re not familiar with printmaking, a proof is a print of a block that may not be fully complete. You can print the block at different stages to see how it’s coming along and whether the print needs more work. In this case, I’m happy with many aspects of the print and can see where I want to further carve the soft cut lino block. I’ll show you the process as I go along.
The two photos show the green and violet inked block to the right of the printed image. I’ve always been fascinated with the symmetries you can get in printed images by repeating them in different orientations. Here, I played with the block itself and the proof. Because they are mirror images, when I put them right up against each other I saw some neat (as in neat-o) patterns that show up in the last photo.
You can see more of my artwork in my etsy shop: artsofmay.etsy.com
It’s late in 2016. Late afternoon today the sun came splashing its light across the room.