I’ve put 2 wall hangings in a textile show in Toronto at GAS–Gerrard Art Space. The show is an open call, non-juried exhibit. The reception will be this coming Saturday, Jan 13, and the show will last until Jan. 28. I haven’t shown much work physically in a few years, so this may be a way back.
Toronto is in the southern part of Canada and though it gets cold here, it’s not as cold as other parts of the country. However, we have had a spell of pretty cold weather this week. This morning it’s -22C and with the wind it feels like -30C. It’ll be going up to a balmy -15C later. Yesterday, though, it was a more moderate -8C. On that cloudy day, I decided to lift my spirits and went off to the Allan Gardens downtown where I hadn’t been for a few years. The Gardens are in a park in greenhouses first opened in the mid 1800s. Inside are 16,000 square feet of flowers, trees, tropical plants, cacti and, yesterday, many visitors young and old. The Gardens have seasonal displays along with their year round inhabitants. I snapped many photos and you’ll see the Christmas displays among the plants. What a great respite from the cold and grey.
Here’s the central area, the Palm House, with the dome rising above:
And a floral peacock:
Another scene I loved:
And 2 photos of cacti from the cactus house, a favourite place of mine:
Dear readers and fellow bloggers, I wish you a New Year of good health, peacefulness and times of joy whatever your circumstances, whatever is going on around you. Strength to us all.
After doing black ink line drawings daily since last summer I felt drawn to working in colour again. I wanted to try using acryl gouache paints which I’ve never used before. I usually don’t buy prepackaged sets of paints, but I did this time so that I could experiment with small amounts of a range of colours to see if I liked the medium.
I’ve had a lot of fun working on this piece for days and watching it change dramatically. The only clearly representational part is the key that I’ve been thinking about since working on plans for a dystopian card deck. Other than that, the piece is abstract. I’m going to continue working with these paints and see where this leads me.
Below is a close up of part of the painting.
Here’s 3 more interior drawings I’ve done over the past month. I drew the desk laden with odds and ends and the pruned and sprouting jade plant while our place was being painted. The final one I drew at the end of November.
Years ago in 1991, someone I knew told me an arresting dream they’d had. I don’t totally remember it, but it was about terrible suffering and catastrophe. Most of the people in the dream were in trance like states with one or two raising the alarm. The dream impressed me as apocalyptic and I made an acrylic painting taking off from the dream. The painting now reminds me of the huge number of migrants fleeing war and persecution and it reminds me of the effects of climate change we’re already seeing and that some are having trouble acknowledging.
For a while now I’ve wanted to make the painting into a card deck, since I love card decks. It’s the opposite of Mirrors of the Heart favourable deck that I made in 1994. Recently, I’ve had the courage to move forward with the idea. I say courage because for a while I told myself that I shouldn’t put out images of the dark parts of life. But I’ve decided otherwise because I believe we can’t deal with trouble unless we first of all face it. So, I’m calling the deck Wake Up–The House is on Fire and the Water’s Rising!
To create the deck, I’ve taken many photos of the work, zeroing in on different groups and faces and cropping the images. The deck will have 25 small square cards, including one title card and all, except one, are scenes of extreme suffering. I also wanted to create one card not in the original painting that could symbolize what it would take to wake up. But since it’s beyond me to know what might allow that in different people, the idea of a key came to mind–a key to awakening that could mean different things to different people. The key image is one of the cards and I’m also putting it on the back of each card. I’ll be sending it off to Moo for printing and will let you know how it turns out.
Here’s the whole painting plus two of the cards, including the key.
We recently had our place painted. It involved packing up all our stuff, giving some of it away and moving it and furniture to the centre of rooms so the painters could get to the walls. During that time I drew boxes and disorder. Now that that’s over, it’s enjoyable to sit down and draw a simple paper/papier maché bowl I made many years ago.
A few of the house plants we have end up in my drawings regularly. I enjoy succulents and have 2 cacti plus other hardy souls. And, this summer, I branched out and added a colourful croton to the group. Here’s some appearances the various leaves have made over the past few months. The croton is first–imagine deep red, dark and lime greens and yellows. The other drawings show various succulents including jade plants, hoyas and sansevieria with a few long spider plant and African violet leaves in the backgrounds.