Some Line Drawings

I haven’t done line drawing in a while and thought it would be helpful to begin again. It’s a way of grounding myself in the present and seeing what’s in front of me. Here’s several drawings I’ve done this week with black pigment markers. I found them calming to do.

This first one is in my work room: easel with recent crayon work and woodcuts of one of my favourite artists–Munakata Shiko*–on the wall behind.  Plus another favourite woodcut by Naoko Matsubara. The drawing is practically an abstract.

 

Here’s one of a papier maché mask I made a few years ago, on a shelf in the work room as it awaits a place on a wall.

 

This is the view from one of my windows–a view I usually find disheartening because of all the ungraceful buildings. I was surprised to find that in drawing the scene I felt different about it. It lost its sense of ugliness for me. The lines and shapes held my interest and became a contrast between the curves of the trees and straight lines of the buildings that went beyond judgement. I suspect there’s a wider life lesson in this, although I haven’t fully formulated it yet.

 

Again, here’s some of the things on my work table.

 

And here’s part of a Bread and Puppet poster hanging in my work room. On the poster is a photograph of two of the enormous masks that Bread and Puppet has made, resting in their barn/museum in Vermont that we visited around 20 years ago.

*Here’s a video of Munakata’s work

 

I’m also at artsofmay.etsy.com


Learning 2

Here’s what I’m working on now–a variation of the piece I showed in Learning. This time, I’ve used only the watercolour crayons, both wet and dry. I’m slowly building up colour and texture and paying attention to shapes. I believe the piece is a work in progress–the more I contemplate it, the more aspects I see to work on.


Hansel and Gretel

This week, I happily received the copy of Clive Hicks-Jenkins’ book, Hansel and Gretel. In it, he has brilliantly reimagined the fairy tale.  I ordered it last week from the U.K. and it arrived faster than some packages from other parts of Canada!

Clive Hicks-Jenkins is one of my favourite artists. He shows a wide array of his artwork on his blog and talks about the process that went into making the pieces.  His artwork in this book is tremendously engaging with both terrifying and beautiful renditions of the characters and the settings. I’ve been pouring over the book and love the layers of paint, drawing and collage.

On the artist’s blog are many posts about the complex process he went through in making the book. The link above is to just one of those posts and also talks about the Hansel and Gretel toy theatre kit he designed. Below are the front and back covers of the book.


Learning

Last week, while I was home with a cold, I began experimenting with an old water soluble crayon set I have. I find painting/drawing on an easel a lot easier physically than printmaking with the pain of repetitive strain I’ve acquired from lino and woodcutting. So, I’ll return to the latest print after a break.

For the drawing below, all I started with was a desire to draw a human profile. The rest developed from there. I mostly used the crayons dry and combined some pigment markers with them. The drawing has a controlled feeling to me because of the outlines throughout. I was interested in experimenting with layers of colour and texture. At times when I was unhappy with the results and redid them, I managed not to destroy the image in an attack of self-criticism. I find making artwork is a dance between creation and destruction. There’s a line between honestly facing mistakes and shredding myself for making them. Now that the piece is finished, I think I’ll try making further works using this drawing as a starting point. I want to practice a looser look, perhaps bringing out the watercolour properties of the crayons. As for the content, for me it reflects some of the different voices or faces within a person, coupled with strange sci-fi or unconscious looking elements.

The next experiment I did pretty quickly, as a reaction to the first one. I cut up part of an earlier crayon watercolour and adhered it to a sheet that I loosely marked in black. I like the feel of this one. There’s the contrast between black, white and colour. And there’s the contrast of the controlled edges of the cut outs with the loose scribbles of both the black crayon and the colours within the shapes themselves. Perhaps this collage technique is one I can develop. It could stand alone or be part of larger works.

 

You can also see my work at artsofmay.etsy.com


In the Pink

In honour of summer and the Pride Parades here in Toronto and around the world, here’s a hot pink and rainbow coloured gouache painting I made several years ago. It’s called The Swimmer.

 


The Lion’s Birdnote

As I’m going through my old journals, I find forgotten elements–particularly the content of dreams.  A few weeks ago, I came upon a curious and appealing dream fragment from June of 1993. At that time, I awoke with words telling me that centuries would pass before we discovered that the “L” in “Lion” was understood as its birdnote. I loved this strange sentence and decided to make a linocut from the words.

The lino that I’ve used is the same soft cut material that I used for the Sisters of Mercy print. It is very much easier to cut than the tough grey or brown burlap backed battleship linoleum that I used as a young woman. I’ve taken the first proof (rough copy) of the print and will work on it further.  I plan on leaving the final print quite similar to this first proof–it just needs a bit of further carving and experimentation with the colours.

Here’s the inked green lino and the hand printed proof.


 

You can see more of my artwork in my etsy shop at artsofmay.etsy.com


Abundant Clematis

This week, while out walking under trees in my neighbourhood and admiring other people’s gardens, I came upon some tremendously beautiful clematis. This spring I’ve been restraining myself from photographing every flower I see, particularly those that I have many photos of.  I’ve been doing better this year at stopping to admire scilla, crabapples, lilacs, lilies of the valley, irises without always pulling out the phone. However, there’s a limit to restraint and these flowers were it!  Here’s a photo of them from midweek.