Recently, I decided I’d like to draw some cartoons. I’ve started with a dream I had several years ago that captivated me for its strangeness. I’ve done a lot of imagining and writing since then on the Care of Latent Kittens Course. Perhaps you’ll see some of that here. I keep going over the writing and thinking it’s either fine or it’s terrible!
However, I had fun with the naive look of the cartoon and have been working on several others. If any of them work out, I’ll also post them here. I did the drawing with Faber Castell Pitt markers. I like them because they’re waterproof and non-toxic, so I don’t pass out from the fumes while working. I also love the array of colours and sizes to choose from.
I’ve recently had various bouts of illness. During this time, I have slowly completed print ready files of the Mirrors of the Heart card deck and have sent them off to the printer. When they are completed, I’ll show you their new look.
Also, while resting, I’ve been reworking some more of my earlier art work. Here are 3 hanging ornamental pieces I’ve made combining segments of a woodcut I made in the 1970s and extra hand coloured cards from the card deck. I’ve also added decorative starched transparent papers that I wish I could trace to a distributor again. They’re the shapes growing out of the rectangles. If the papers look familiar to anyone, please let me know.
I’ll be putting some of these pieces in my etsy shop soon.
Here’s the reblog of Alhambra Linocuts by Catherine Cronin, an artist whose work I enjoy. Her recent posts of drawings of the Alhambra, helped me finally post some photos from my trip to that amazing site last spring.
I have editioned my ‘Alhambra Arches’ linocut in three different colourways, five prints for each colour making a variable limited edition of 15.
Image size approx 20.5 x 25.5 cm
Paper size 24.5 x 31 cm
Now available to buy in my Etsy shop.
(© Catherine Cronin)
I’ve been thinking, for a while, of finally posting a few photos of the magnificent Alhambra in Granada Spain that we visited last spring. It seemed that winter would be a great time to see those images. It’s been unseasonably warm in Toronto off and on, but today is the perfect cold day to recall the warmth of Spain. I also received a nudge to finally post these photos from Catherine Cronin’s blog, Cat Among the Pigeons Press. She’s an artist whose work I love and who recently posted drawings of the Alhambra gardens. She’s also got some great linocuts of the Alhambra that I’ll reblog right after this post.
I’ve begun making a series of postcards. Here are the first two I’ve designed, back from the printer. These are combinations of two poems I’ve written superimposed on two of my linocuts. You can also see the postcards in my etsy shop.
I decided to give the series a name and hit upon naming them in honour of my beloved childhood dog–a beagle named Cedar.
While I was searching through my early prints for one of my first linocuts, I came across the print in this post that I made in the mid 1980s. (It’s not the print I was originally looking for.) The linocut here was an illustration for an article in the Canadian literary magazine Quill and Quire. Somewhere, I may have the actual page from the journal, but I haven’t located it yet. From what I recall, the article had to do with censorship and political repression. In that sense, it definitely fits with the mood of these times of political unrest to out and out war. Being born right after World War II and hearing many stories of it while growing up, the image also evokes shadows of the history of that war for me. The initials “SB” are from my birth name that I was still using at the time.
I’ve been working on several art projects as once. I’ll be completing the linocut from my last post. Meanwhile, I’ve taken some time to edit linocuts and poems for printing. When I get the physical postcards back from the printer, I’ll show them to you.
As I work and go about my days, part of me is always contemplating the climate of hatred in North America–the new president of the U.S., his withering executive orders, the recent murder of 6 muslim men at worship in Quebec City, Canada….
I’ve been thinking about hatred, which when left unexamined seems to me the curse of our species. Perhaps there are some people in the world who have never felt hatred, but I believe these would be in the great minority. Hatred, being a human emotion, is something any of us can feel.
I have found myself wishing to abolish hatred. However, when I’ve thought more closely about this, I realize that the greatest ill is not the hatred in our hearts. If we do the hard work of deeply looking at ourselves, we can develop the capacity to understand why we hate–what pain we have suffered that the hatred has arisen from–and not project this onto scapegoats. We have the capacity, then, to turn aside from violence of word and action. Instead, I see the greatest ill is when influential people stoke hatred and create scapegoats to gain power. This is what is most disturbing to witness at this time, both here in North America and overseas.
I didn’t know if I’d write about this on what is an art blog. Or tell you how fantastic the women’s march in Toronto on January 21st was. However, since I don’t work in a vacuum and since we are living in a critically important time in history, you have this post from me. The photo I’ve chosen is an antidote to hatred that I took several years ago while visiting friends in Saskatchewan.