Last week, I printed the Sisters of Mercy linocut with the violet ink tinted with white. It’s on a pale blue Japanese paper with long fibres that I like. Then, on the weekend, I was out of town in Prince Edward County in Ontario. The countryside was filled with lilacs–lining the roads and lanes and in the small towns. Many were pale lavender but some were a deeper hue and even pinkish. As I admired their beauty and scent, I thought that the violet of the print had happily followed me into nature. The mercy of lilacs!
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I have finally returned to the block print inspired by Leonard Cohen’s Sisters of Mercy. Though at first glance this proof looks the same as the earlier one, I have added a few details to the mouths and hands that I felt were needed. And I’m happy with the results.
The ink I’ve been using on these rough copies is actually a deep violet though it looks nearly black. So my next step will be to pick up white ink and see if adding some will bring out the violet more. I’ll show you the results once I’ve done that.
I’ve been experimenting with drawing more cartoons. That process led me to a small drawing continuing with the theme of dreams that I began in my first cartoon. After having done a number of works that felt too controlled, I made a loose unplanned sketch that felt freer to me. Afterwards, I added colour to the line drawing with pigment markers and some water soluble crayons. I think I’ll work on this theme further. I hear my unfinished linocut on Leonard Cohen’s Sisters of Mercy calling me. Why have you left me and when will you return? I haven’t answered yet, but, meanwhile, here’s the 2 recent drawings.
To see works in my etsy shop, go to: artsofmay.etsy.com.