I have finally returned to the block print inspired by Leonard Cohen’s Sisters of Mercy. Though at first glance this proof looks the same as the earlier one, I have added a few details to the mouths and hands that I felt were needed. And I’m happy with the results.
The ink I’ve been using on these rough copies is actually a deep violet though it looks nearly black. So my next step will be to pick up white ink and see if adding some will bring out the violet more. I’ll show you the results once I’ve done that.
I’ve been experimenting with drawing more cartoons. That process led me to a small drawing continuing with the theme of dreams that I began in my first cartoon. After having done a number of works that felt too controlled, I made a loose unplanned sketch that felt freer to me. Afterwards, I added colour to the line drawing with pigment markers and some water soluble crayons. I think I’ll work on this theme further. I hear my unfinished linocut on Leonard Cohen’s Sisters of Mercy calling me. Why have you left me and when will you return? I haven’t answered yet, but, meanwhile, here’s the 2 recent drawings.
To see works in my etsy shop, go to: artsofmay.etsy.com.
This week my auspicious card deck, Mirrors of the Heart, has returned from the printer. It’s on thicker card stock with matte lamination. This time it’s black and white like the original linos. And, I’ve added a back to each card–a linocut of two birds. I’ve put the deck up in my etsy shop.
Recently, I decided I’d like to draw some cartoons. I’ve started with a dream I had several years ago that captivated me for its strangeness. I’ve done a lot of imagining and writing since then on the Care of Latent Kittens Course. Perhaps you’ll see some of that here. I keep going over the writing and thinking it’s either fine or it’s terrible!
However, I had fun with the naive look of the cartoon and have been working on several others. If any of them work out, I’ll also post them here. I did the drawing with Faber Castell Pitt markers. I like them because they’re waterproof and non-toxic, so I don’t pass out from the fumes while working. I also love the array of colours and sizes to choose from.
I’ve recently had various bouts of illness. During this time, I have slowly completed print ready files of the Mirrors of the Heart card deck and have sent them off to the printer. When they are completed, I’ll show you their new look.
Also, while resting, I’ve been reworking some more of my earlier art work. Here are 3 hanging ornamental pieces I’ve made combining segments of a woodcut I made in the 1970s and extra hand coloured cards from the card deck. I’ve also added decorative starched transparent papers that I wish I could trace to a distributor again. They’re the shapes growing out of the rectangles. If the papers look familiar to anyone, please let me know.
I’ll be putting some of these pieces in my etsy shop soon.
Here’s the reblog of Alhambra Linocuts by Catherine Cronin, an artist whose work I enjoy. Her recent posts of drawings of the Alhambra, helped me finally post some photos from my trip to that amazing site last spring.
I have editioned my ‘Alhambra Arches’ linocut in three different colourways, five prints for each colour making a variable limited edition of 15.
Image size approx 20.5 x 25.5 cm
Paper size 24.5 x 31 cm
Now available to buy in my Etsy shop.
(© Catherine Cronin)
I’ve been thinking, for a while, of finally posting a few photos of the magnificent Alhambra in Granada Spain that we visited last spring. It seemed that winter would be a great time to see those images. It’s been unseasonably warm in Toronto off and on, but today is the perfect cold day to recall the warmth of Spain. I also received a nudge to finally post these photos from Catherine Cronin’s blog, Cat Among the Pigeons Press. She’s an artist whose work I love and who recently posted drawings of the Alhambra gardens. She’s also got some great linocuts of the Alhambra that I’ll reblog right after this post.