I’ve just sent in my submissions to the Ottawa School of Art Mini Print Juried Exhibition. I’ll see if any of the prints are accepted and will let you know the results.
Meanwhile, I’ve been looking through a box of old lino blocks that I had stored for many years. I had forgotten some of them. Most of these are blocks I began carving but didn’t complete. And because some of them are over 20 years old, I don’t recall specifically why I abandoned them. I know that I went through some physical pain from the repetitive strain of having carved many blocks and that may have influenced my decisions. Around the time some of these were created, I also was involved in creating Mirrors of the Heart–the card deck I made in 1994. So, that likely consumed most of my energy.
Here’s the blocks I like best. I may print them as is, that is–incomplete, to see what they look like.
Here’s two very small prints–under four inches longest side each–that I made while thinking of entering a print exchange in the UK. Nothing was going smoothly and I finally decided not to enter the show. The first one morphed from a sunny face into one that began looking like some politicians I dislike and into this final ambiguous face surrounded by eyes and an innocent looking child. The second leafy print is one I drew quickly right on the block and carved.
I have four prints in an upcoming group printmaking show at Gerrard Art Space, 1475 Gerrard E in Toronto. The reception is this Saturday, July 29 from 3 to 6 and I’m looking forward to it. I’ve submitted the following prints that I’ve posted here over the last while.
I learned yesterday that at least one of the three prints I submitted to BIMPE X–the Biennial Miniature Print Exhibition–has been accepted for the show. The organizers received over 700 prints from 300 artists. Around half were selected by the jury. The show will open in late September in Vancouver, BC.
I’m interested in seeing which of my prints were selected. I’ve talked about the process in several posts. Changes is the most recent one.
Here’s the prints I submitted:
As you may have heard, it’s been a hard week in Toronto what with a man driving a van onto a busy sidewalk and killing and injuring many people. I don’t live in the neighbourhood this happened in, but this horrendous crime has affected people around the city. I’ve been looking for solace and have taken some from spring flowers and birds. Scilla flowers are one of my favourites. Here’s some from a garden in the neighbourhood.
Something else has helped me this week–I’ve begun taking care of my work. For years, I’ve promised myself to get a selection of my work framed and I’ve finally begun doing so. Here’s 3 linocuts I brought home from the framer this week. The frames and mats vastly improve the look of the prints.
This first linocut is one I called The Printmaker. I made it in 1973 and it’s based on myself in my workroom, carving at the table with my cat at the back and prints hung up to dry on the cloth on the wall.
This next linocut is not of anyone I knew. I have always been interested in faces and wanted to carve a portrait using many marks from different gouges. I was inspired by the works of wood engravers I’d been studying. I carved and printed her in 1984.
This last print is one I thought I’d lost, but I found it 4 years ago. It’s a colour linocut from 1974. I called it At Peace and thought of the figure as meditating.
The prints span 11 years and also span my different names, from a previous married name, to a hyphenated previous married name to my birth name–none of which are my present name, but all of which referred to me at different times. See my About page for a little more on this.
Over the past few weeks, I’ve been making rough proofs–trial prints–of several linoleum and soft linoleum blocks to see which, if any, I will enter into an international miniature juried print exhibition. In these, I’m working on design elements mainly. I printed the blocks on newsprint paper, taped them to bookcases to view and tried various combinations of overprinting and colour. It was an enjoyable exercise. The ones in the photos are not the prints I’ll be entering, but were an important part of the process of choosing where to go next. I’ve picked three prints that I’ll now experiment printing with different colours and on different papers until I get the ones I’m happiest with. I’ll show you these later on.
I’m also about to launch into some further paintings on the chambers of the heart theme.
This week my auspicious card deck, Mirrors of the Heart, has returned from the printer. It’s on thicker card stock with matte lamination. This time it’s black and white like the original linos. And, I’ve added a back to each card–a linocut of two birds. I’ve put the deck up in my etsy shop.